iOS娘 製作過程 (iOS Girl Drawing Process)
這是由 Pixostyle 主辦的 OS娘角色創作競賽，現時已經截止報名了。
This is a OS Girl Design Contest held by Pixostyle.
(http://my.pixostyle.com/acg100)
如喜歡這個作品，請光臨本店。購買產品也會為本作品加分的唷，如喜歡的話請購買一個吧！
If you like this work, please visit my shop. Marks will be counted if product sold, please buy one if you like!
Product Link: http://my.pixostyle.com/20151214-162713
My Shop: http://my.pixostyle.com/parsue
上面這一作品有幸入選參展，現已在台灣 ACG100 創作展中展出。
This one is chosen to be shown in ACG100 Exhibition in Taiwan.
(http://www.accupass.com/event/register/1512040524525625983820)
在這裡，我會說明一下 iOS 娘的製作過程。
Here, I will show you the drawing process of iOS Girl
＜草稿設計 Draft and Design＞
○首先是骨架，這步驟絕不能偷懶，透視要做好！
First is model, don't be lazy on it!!
○畫女孩子時，做出Ｓ型是最理想的，但也要留意重心，不要讓角色變得歪斜。
It's good to draw S style for girls, but you should notice about gravity.
○骨架完成後就可以設計服飾和其他設定。
After finish the model, you may start to design.
＜底稿和線稿 Under Drawing and Lineart＞
○不要著急畫線稿，先做一個底稿，把草稿的錯誤都修正好。
Don't jump to lineart, make a under drawing first. Fix all things on it.
○線稿要清晰，不要多餘的線條，也不用陰影和質感。
Lineart should be clear without useless lines. Shadow and texture is not needed.
＜底色 Base Colour＞
○為每個地方上好底色。
Make base colour for all parts.
○以不同產色，不同質感，不同貼圖來分開圖層。
Layers separated by color, texture.
○上色方法要統一，讓整幅作品不會參差。
Coloring method should be unified.
○可以在底色上加上光位，或之後用圖層加光也可以（下面會有示範）。
Lighting can be added on base color, or added later by layer (you may see below).
○第一層陰影提高色彩的濃度，不用太明顯。
First shading is to increase saturation of color, no need to be clear.
○第二層陰影要明確的，突出整體的輪廓。
Second shading should be clear to prominent contour.
＜臉 Face＞
○先把簡單的眉、鼻和口畫好，然後再畫眼睛。
Draw eyebrow, nose and mouth first because it's easy. Then draw eyes.
○先畫眼白和眼睫毛，再把瞳上色。
Draw the white and eyelashes, then draw the pupil.
○留意瞳孔的深度！
Notice the depth of pupil!!
○最後是反光位。
Finally add the light reflection.
＜紋理貼圖 Texture Mapping＞
○把紋理讀入，調整好大小與角度後，先把圖層轉換成點陣圖層。
Import the texture file, fix the size and angle, then change to bitmap layer.
○修正色調，讓紋理配合作品。
Fix the color tone to fit whole drawing.
○然後就回到上色方法，把陰影和光位做好。
Then back to the coloring method, shading and light.
＜發光和反光 Lighting and Reflection＞
○光影的處理要很小心，不同質感的光影會有不同的效果。
Be careful on lighting, effects are not same to different texture.
○腰間的材質是金屬，所以光影對比會很強。
Texture of girdle is metal, contrast is strong.
○藍色條紋會發光，光線同時會影響其他地方，所以不能漏掉。
Blue line will be shining, the light will affect other layer. Don't miss it.
＜半透明玻璃珠 Translucent Glass＞
○做法也是一樣，在中間穿過去的布條會變得不太清晰，但形狀要保留好。
Same way to color it. Cloth inside should be unclear, but shape should be remained.
○把陰影加上去，留意透光、不透光和反光的地方。
Notice the position of transparent, translucent and reflection when shading.
○最後就是加光，留意珠子底部也會有光的。
Finally lighting. Notice that light will be reflected on the edge of shadow.
○這作品寫實度不高，這樣就可以了，千萬不要只把一小部份畫得很寫實。
This is not reality drawing, this is fine. Please don't make a little reality on it.
＜全圖層 All Layers＞
依照作品的複雜程度，圖層的數量也會大大增加，請善用資料夾去管理。
According to the complexity of drawing, there will be much more layers. Please use folders to manage them.
＜總結 Conclusion＞
『方法，沒有正確與否，只有適不適合自己。』
"Method, not right or not, but suitable or not."
每個畫師都有自己的一套方法，請參考更多不同畫師的分享後，再努力去嘗試，最後再建立一套屬於自己的最好方法吧！
Every drawer has his own method, please learn more from different drawer and try hard. Finally you will have your best method!
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